By Chloe Hodge
While no man stacks up to my love Tommy Shelby of Netflix’s Peaky Blinders, two have come dangerously close recently, and they are none other than Davey Jacobs from Disney’s filmed version of Newsies (2017) directed by Brett Sullivan and a young Hugh Jackman as Curly from Oklahoma! directed by Trevor Nunn. Okay. What? These two fools are nothing alike. One wears assless chaps and the other a sweater vest—what’s going on here? Well I’ll tell ya. They’re both stereotypical manly men, which I occasionally fall prey to (see: Tommy Shelby). But if they’re so different, how do they both portray a stereotypical version of masculinity? Follow me down this dusty path (think Oregon trail type dirt road or a New York City back alley, your preference) and I’ll walk you through it.
Let’s examine how both Davey and Curly perpetuate the stereotype of masculinity first, I think that’s a great place to start. Both Davey and Curly make their respective entrances with a bang. Curly comes in singing, and Davey comes in basically fighting. (Not really, but he’s got some serious sass for him to clearly not know what he’s doing). Both entrances demand your attention; they create the immediate impression that these two men are going to stand out in their respective shows. Davey starts off as a hard-headed know-it-all. Curly? Well…same. Davey refuses help and claims he can figure out how to sell “papes” all by himself, while Curly does…whatever he’s doing.
Attempts to woo Laurey even though she’s said she’s not interested like 10 times already yet he refuses to back down?
I don’t know. He supposedly has a job, but he always seems to be hovering around Aunt Eller’s house to me.
I digress. Both men are VERY sure of themselves and their rightness. Davey has to mention multiple times throughout the play that he and his brother are only taking this job because their dad lost his job, so they’ve become the primary breadwinners. Stereotypical gender role? I think so. The masculine figure is supposed to bring in the money for their family, no matter if that masculine figure is only a teen and also babysitting his little brother? What are his parents doing? They better be on a job search. Curly, though he has literally nothing to his name except the clothes on his back and a lunch basket at one point, is just known to be the breadwinner in he and Laurey’s relationship, no questions asked. He was prepping to be the masculine-type breadwinner for his future family even before his wife liked him back.From the beginning of the play, it was evident that he was saving up money working as a cowboy (see: assless chaps), but when poor Laurey finally gave into his pestering, he did note that he’d have to sell all his cowboy gear (he already sold it all to buy her lunch basket that had perishable items but was not in an icebox, but I guess he forgot this) to buy them stuff to settle down on a nice farm somewhere that he, of course, would tend to.
More traditionally masculine roles between these two, you ask? Say no more.
Davey takes care of his younger brother, he is the protector in this relationship (very manly), while Curly is Laurey and Aunt Eller’s protector from weirdly perverted and very creepy Jud Fry the farmhand. At one point Curly even takes his protective role on so hard that he attempts to talk Jud out of wanting to take Laurey to the barn dance by singing a song about how everyone would miss Jud and talk great about him if he were just dead…and follows that by pointing out that sturdy rope hanging from the ceiling. Like, come on Curly, that was just a little tone-deaf, even for a weirdo like Jud.
Curly and Davey’s respective stereotypes of masculinity didn’t always have such nice parallels throughout the two musicals, like Davey’s traditionally masculine leadership position in his organizing and rallying together of the newspaper strike and Curly’s general respect in the community just for being a manly man, but their traditional masculinity stereotype parallels will converge one last time in this post in the form of their front and center dance numbers!!!
What’s a musical without shutting the hell up sometimes and just dancing??
Boring. That’s what.
And in these musical dance numbers, it is pretty traditionally masculine to be in the lead. Davey’s big dance break was in the tap number “King of New York,” where he took on a masculine leadership position among the other newsies by dancing in the middle of them with Katherine, but also kept his position as “one of the boys” by dancing alongside everyone else.
Hugh’s, oops, I mean Curly’s dances were a few more in number, but my favorite example to watch was the dream ballet sequence, AKA a good fourth of the entire musical (really, why was that so long?) Curly comes in and immediately literally sweeps Laurey off her feet. He waltzes with her, leading of course, he spins her, he lifts her, he smiles that dreamy smile at her, he LEADS. Stereotypically masculine. Perpetuating gender roles. Curly leads, Laurey follows. Davey leads, the other newsies follow.
Okay, no sense in beating a dead horse. On to my next point, the breaking of these traditional gender roles through these characters! Whaatttt? Yeah, it needs to be addressed, my argument still holds, but these are good points as well.
Neither character does it frequently, but Curly only has one instance in which I felt like his actions or character didn’t just scream traditional masculine role at me through the TV, and that was near the beginning of the musical, before plot advancement, when he was clearly more interested in Laurey than she was him (or so it seemed). Stereotypically, the girl is the one who is crazy over the guy, and she has to convince him to settle for her (see: the beginning of Grease, Grace from Peaky Blinders, etc.) but Curly was putting his manliness aside for just a second to pine over a girl.
Davey had a few more instances of breaking the stereotypical masculinity mold; first and most obviously, he stuck out in appearance like a sore thumb amongst the other newsies. While they had this rough, gritty, work-hard type manly appearance, Davey rolled up with a crossbody satchel and a nicely fitted, totally buttoned up plaid vest (I was wrong earlier, it wasn’t a sweater, but pretty close and equally as nerdy).
Not that this isn’t totally rockin’, not to mention very practical for his first day on the job, but traditionally, the masculine stereotype is the dirty hands, sleeves rolled up, not caring about appearance deal, so Davey’s matching fit threw him off from the rest of the group. Another aspect of Davey’s character that didn’t quite fit the traditional masculinity role is, admittedly, also an example I used for his perpetuation of the traditional masculinity role; taking care of his little brother. While it is traditionally masculine to be the protector of the family, it is not stereotypical of a masculine role to care for younger siblings or act as a babysitter of sorts. Taking care of younger children is usually a feminine role. Davey taking on this role and looking after his little brother breaks the stereotypical representation of masculinity the rest of his character portrays.
Alright. Now to wrap this bad boy up. I have reached my last point: I thought it would be interesting to address what masculinity was considered to be at the time of these musicals being written and see how that reflected in these two characters. Oklahoma! was written in 1942. For those of us who are not good with historical dates (personal callout) this was smack dab in the middle of World War II. How do we think this affected the portrayal of what was masculine and not? Well, the hardy, muscular soldier (you can just go ahead and translate this directly to that scene where Hugh Jackman comes out shirtless with suspenders on and knife in hand) definitely became sought after, but according to nationalww2museum.org (thanks Google!), there was another group who wanted to be sought after just as much. The men who did not get drafted into the war created their own home-made version of what masculinity is through the muscley laborer man (i.e., same thing, minus the uniform) who did all the work the women couldn’t do back home, so no matter if you were actively in the war or not, you were perpetuating the same masculine stereotype as the ideal figure. Personally, I think this can be seen almost exactly in what Curly was written to be. He is a hardworking, good ole American muscle man who takes care of his women. Newsies, on the other hand, was written in 2009. Although the Iraq War was going on at this time, the wartime era was definitely not as prevalent throughout the nation as it was in 1942. Maybe this was reflected in Davey’s character being a little less stereotypically masculine. Maybe this tiny difference was because gender roles in 2009, though heavily present still and very stereotyped, were not quite as in your face as they were in 1942. Who knows. Either way, it was interesting to look at.
Seriously, I’m wrapping things up now, I promise.In conclusion, both these guys, though written in different times and set in different times, perpetuate stereotypical masculine gender through their characters even though they seem to be nothing alike. Are there some slight variants from this at times? Yes. Does that cancel out the rest of the perpetuation? Nah. Are these characters a product of their time? Yeah probably. Does that make it okay? No. It’s annoying and a bit bland. Do I still think they’re cute? Yes. I do. But not as cute as Tommy Shelby, and that’s the real takeaway. Hope I didn’t bore you to death.
Till next time